Abungu (2010) paints a picture of the contemporary museums in post-colonial Africa as working to move away from “the old style of exhibition (eg. Dusty objects hidden in glass cases)” (181), and to address the changing face of African society that museums now represent. Part of decolonization, she argues, is a move away from a […]
Walter Benjamin’s influential essay on the work of art in the age of “its technological reproducibility”, argues that, while art has always been theoretically reproducible, the “here and now of the original”, its “authenticity”, its “aura” and its “unique existence”, are obliterated with “mechanical reproduction”. Yet Benjamin also notes that mechanical reproduction enables new kinds […]