Posts Tagged jeremy owen turner
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March 27, 2012 by jeremy
AVATARA – An “ethnographic” documentary film about an early virtual world…
Hi Class, I noticed after reviewing my interview with Dennis Moser that I did not mention to him that I had co-produced one of the first documentaries about an avatar community. The virtual world we explored was Steve DiPaola’s “Digitalspace Traveler”. Our documentary was from 2003 and was called AVATARA… Here are some links (including […]Archive
March 24, 2012 by jeremy
A SECOND SIGN OF THE TIMES: AN INTERVIEW WITH DENNIS MOSER…
A SECOND SIGN OF THE TIMES: AN INTERVIEW WITH DENNIS MOSER VIA EMAIL – MARCH 14, 2012 SUMMARY: As part of a homework assignment for his “New Media and the Museum” class taught by Prof. Kate Hennessy; Jeremy Owen Turner interviews the virtual world librarian and music composer, Dennis Moser about heritage and conservation issues […]Archive
March 5, 2012 by jeremy
Scaling New “Hights” – Semi-Casual Ramblings about Jer Sr.
Hight, J. (2006). Views from Above: Locative Media and the Landscape. Leonardo Electronic Almanac, 14(7/8), Pp. 1-9. Before, I start mentioning some aspects of Jeremy Sr.’s paper, please check out my official interview with him from last year. I am also hoping to bring him to SIAT to lecture about Locative Media one day or […]Archive
February 19, 2012 by jeremy
Protected: Jer’s Week 8 Seminar: Virtual and Augmented Reality (in the Museum)…
There is no excerpt because this is a protected post.Archive
February 11, 2012 by jeremy
Close Encounters of a Virtual Kind
Click here to watch the video This post deals with Reading Week’s assigned readings which include: Andrea Bandelli. Virtual Spaces and Museums. Originally in Journal of Museum Education, Vol. 24, 1999. p. 20. Muller, Klaus. Museums and Virtuality. Ch. 29. Originally in Curator. Vol. 45, no. 1, 2002, pp. 21-33. Neil Silberman. Chasing the […]Archive
January 17, 2012 by jeremy
Replicating “Liveness”…
Marc Pachter (2002). Ross Parry [Ed.] Museums in a Digital Age.Ch. 32. Pp. 232-235. London: Routledge, 2010. Pachter appeals to sentimentality to attempt to elevate the transcendence of the “authentic” Art-Masterpiece beyond that of a perfectly replicated copy (though nanotech-assembly). However, this argument makes authenticity seem superficial and little more than a generation’s mourning for the […]Archive
January 16, 2012 by jeremy