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Vancouver, B.C. is known as Terminal City, the end of the railways and pipelines where land meets the Pacific Ocean. It is the terminus, the boundary, the border. It is a city on unceded x\u02b7m\u0259\u03b8kw\u0259y\u0313\u0259m (Musqueam), Skwxw\u00fa7mesh (Squamish), and S\u0259l\u0313\u00edlw\u0259ta\u026c (Tsleil-Waututh) Territory, a place grappling with colonial ruptures, cultural continuities, and new beginnings.<\/p>\n
In 2009, the Ethnographic Terminalia Collective<\/a> presented its first exhibition in the IceBox Gallery at Crane Arts, Philadelphia, alongside the annual meeting of the American Anthropological Association. Since then, the collective has curated and exhibited the work of over 150 artists and anthropologists in a range of projects, from group exhibitions, to site specific collaborations, workshops, and alternative modes of publishing. On the 10th anniversary of Ethnographic Terminalia, the Vancouver gathering marks their final official event as a collective.<\/p>\n This year\u2019s constellation of events takes place from November 19-24, 2019 in The Hangar at the Centre for Digital Media, at the heart of East Vancouver\u2019s growing arts district. This exhibition is a presentation of works and events that wrestle with entangled pasts, presents, and futures, the personal and the institutional, the relational, and the networked.<\/p>\n The events include:<\/p>\n This project is open to the public<\/strong> and is generously supported by the AAA, the University of British Columbia, the Centre for Digital Media, Simon Fraser University, University of Texas, Austin, Chapman University, and the Social Sciences and Humanities Research Council of Canada (SSHRC).<\/p>\n\n
\nsq\u0313\u0259q\u0313ip \u2013 gathered <\/i>together<\/em> was created by the Museum of Anthropology at the University of British Columbia with the Musqueam Indian Band for the exhibition c\u0313\u0259sna\u0294\u0259m: the city before the city (2015-2016). It was co-curated by Jordan Wilson and Susan Rowley.<\/li>\n