{"id":3908,"date":"2023-12-05T10:40:35","date_gmt":"2023-12-05T18:40:35","guid":{"rendered":"http:\/\/hennessy.iat.sfu.ca\/mcl\/?p=3908"},"modified":"2023-12-05T11:06:51","modified_gmt":"2023-12-05T19:06:51","slug":"fugitive-memory-for-tui-malila-in-branch-ding-magazine","status":"publish","type":"post","link":"https:\/\/hennessy.iat.sfu.ca\/mcl\/fugitive-memory-for-tui-malila-in-branch-ding-magazine\/","title":{"rendered":"Fugitive Memory: For Tu&#8217;i Malila"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xGentleDismantlings_ZineForPrinting-1024x724.jpg.pagespeed.ic_.X7HE5YPfHc.webp\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xGentleDismantlings_ZineForPrinting-1024x724.jpg.pagespeed.ic_.X7HE5YPfHc.webp\" alt=\"\" class=\"wp-image-3876\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xGentleDismantlings_ZineForPrinting-1024x724.jpg.pagespeed.ic_.X7HE5YPfHc.webp 1024w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xGentleDismantlings_ZineForPrinting-1024x724.jpg.pagespeed.ic_.X7HE5YPfHc-300x212.webp 300w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xGentleDismantlings_ZineForPrinting-1024x724.jpg.pagespeed.ic_.X7HE5YPfHc-768x543.webp 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Gentle Dismantlings, Special Collaborative Issue of Branch and Ding Magazines.<\/figcaption><\/figure>\n\n\n\n<p>In this special collaborative issue of <a href=\"https:\/\/branch.climateaction.tech\/issues\/issue-7\/\">Branch<\/a> and <a href=\"https:\/\/dingdingding.org\/\">Ding<\/a> Magazines, Kate Hennessy and Trudi Lynn Smith present an essay based on a series of anthotype prints as homage to Tu\u2019i Malila, a tortoise evoked by Phillip K. Dick in the epigraph for his 1967 novel \u201cDo Androids Dream of Electric Sheep.\u201d Created with fugitive photographic processes, they describe the images as emerging through a slow and unpredictable practice that allows for intimate sensory exploration of timescales, bodies and memories. See the <a href=\"https:\/\/dingdingding.org\/issue-6\/fugitive-memory-for-tui-malila\/\">essay here<\/a> and <a href=\"https:\/\/dingdingding.org\/\">full magazine issue here<\/a>. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory_Composite_Smith_Hennessy_2023.jpeg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"734\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory_Composite_Smith_Hennessy_2023.jpeg\" alt=\"\" class=\"wp-image-3878\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory_Composite_Smith_Hennessy_2023.jpeg 1024w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory_Composite_Smith_Hennessy_2023-300x215.jpeg 300w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory_Composite_Smith_Hennessy_2023-768x551.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Trudi Lynn Smith and Kate Hennessy, 2019-23. Composite anthotypes.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xFugitiveMemory1_Smith_Hennessy_2023.jpg.pagespeed.ic_.mHNYe5QSVW.webp\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"848\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xFugitiveMemory1_Smith_Hennessy_2023.jpg.pagespeed.ic_.mHNYe5QSVW.webp\" alt=\"\" class=\"wp-image-3874\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xFugitiveMemory1_Smith_Hennessy_2023.jpg.pagespeed.ic_.mHNYe5QSVW.webp 1024w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xFugitiveMemory1_Smith_Hennessy_2023.jpg.pagespeed.ic_.mHNYe5QSVW-300x248.webp 300w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xFugitiveMemory1_Smith_Hennessy_2023.jpg.pagespeed.ic_.mHNYe5QSVW-768x636.webp 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Fugitive Memory 1. Anthotype. Trudi Lynn Smith and Kate Hennessy, 2019-2023.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory3_Smith_Hennessy_2023.jpeg\"><img decoding=\"async\" loading=\"lazy\" width=\"811\" height=\"1024\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory3_Smith_Hennessy_2023.jpeg\" alt=\"\" class=\"wp-image-3880\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory3_Smith_Hennessy_2023.jpeg 811w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory3_Smith_Hennessy_2023-238x300.jpeg 238w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/FugitiveMemory3_Smith_Hennessy_2023-768x970.jpeg 768w\" sizes=\"(max-width: 811px) 100vw, 811px\" \/><\/a><figcaption class=\"wp-element-caption\">Fugitive Memory 3. Anthotype. Trudi Lynn Smith and Kate Hennessy, 2019-2023.<\/figcaption><\/figure>\n\n\n\n<p>This work is was selected for publication in a special collaborative issue of Branch and Ding Magazines, co-edited by Kit Braybrooke, Julia Kloeber, and Michelle Thorne. In addition to digital publication on both magazine websites, the special issue is zine designed by illustrator Leofrine Noev (@leofrine_noev), which can be printed as a poster or folded into a booklet. <\/p>\n\n\n\n<p>We are honoured to be included in this collection of posthuman feminist writing from the Bahamas to Berlin to Vancouver. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xEditorsIntroduction_.jpg.pagespeed.ic_.dXgir6wJqz.webp\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"819\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xEditorsIntroduction_.jpg.pagespeed.ic_.dXgir6wJqz.webp\" alt=\"\" class=\"wp-image-3873\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xEditorsIntroduction_.jpg.pagespeed.ic_.dXgir6wJqz.webp 1024w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xEditorsIntroduction_.jpg.pagespeed.ic_.dXgir6wJqz-300x240.webp 300w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xEditorsIntroduction_.jpg.pagespeed.ic_.dXgir6wJqz-768x614.webp 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Gentle Dismantlings, Special Collaborative Issue of Branch and Ding Magazines.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xHowToFoldZine-724x1024.jpg.pagespeed.ic_.yOkQTX7ZO7.webp\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xHowToFoldZine-724x1024.jpg.pagespeed.ic_.yOkQTX7ZO7.webp\" alt=\"\" class=\"wp-image-3877\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xHowToFoldZine-724x1024.jpg.pagespeed.ic_.yOkQTX7ZO7.webp 724w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xHowToFoldZine-724x1024.jpg.pagespeed.ic_.yOkQTX7ZO7-212x300.webp 212w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xKateHennesseyTrudiSmith.jpg.pagespeed.ic_.Ra-dq1K7FE.webp\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"724\" src=\"http:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xKateHennesseyTrudiSmith.jpg.pagespeed.ic_.Ra-dq1K7FE.webp\" alt=\"\" class=\"wp-image-3871\" srcset=\"https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xKateHennesseyTrudiSmith.jpg.pagespeed.ic_.Ra-dq1K7FE.webp 1024w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xKateHennesseyTrudiSmith.jpg.pagespeed.ic_.Ra-dq1K7FE-300x212.webp 300w, https:\/\/hennessy.iat.sfu.ca\/mcl\/wordpress\/wp-content\/uploads\/2023\/12\/xKateHennesseyTrudiSmith.jpg.pagespeed.ic_.Ra-dq1K7FE-768x543.webp 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In this special collaborative issue of Branch and Ding Magazines, Kate Hennessy and Trudi Lynn Smith present an essay based on a series of anthotype prints as homage to Tu\u2019i Malila, a tortoise evoked by Phillip K. Dick in the epigraph for his 1967 novel \u201cDo Androids Dream of Electric Sheep.\u201d Created with fugitive photographic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3872,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[299,41,132,46,363],"tags":[],"_links":{"self":[{"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/posts\/3908"}],"collection":[{"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/comments?post=3908"}],"version-history":[{"count":6,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/posts\/3908\/revisions"}],"predecessor-version":[{"id":3917,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/posts\/3908\/revisions\/3917"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/media\/3872"}],"wp:attachment":[{"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/media?parent=3908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/categories?post=3908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hennessy.iat.sfu.ca\/mcl\/wp-json\/wp\/v2\/tags?post=3908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}