
Keith Piper’s Robot Bodies, Bladerunner and Digital Technology
Figure 1. Ridley Scott, Bladerunner, 1982. Film Still. In the iconic, cult classic, science fiction film…
Figure 1. Ridley Scott, Bladerunner, 1982. Film Still. In the iconic, cult classic, science fiction film…
Figure 1. Sitting/Swaying: Event for Rock Suspension. Tamara Gallery, Tokyo, 11 May 1980. Australian performance artist…
Figure. 1. Alex Hartley, Nowhereisland, 2011. This weeks Vancouver reference readings made me curious about how contemporary…
Joseph Beuys, The Pack. Installation View, 1969. In Matt Ratto’s Critical Making: Conceptual and Material Studies in…
Figure 1. TeleGeography’s Submarine Cable Map Shows 285 cable networks, 2014. Open Source Image. In Friedrich…
Images are complex and can be perceived differently by each viewer. Philosopher C.S Peirce’s definition…
Figure 1. Chris Marker. La Jetee, 1963. I was compelled to watch the 28-minute film La Jetee after our conversations…