While the chapter on Art provided plenty definitions and its development over the decades, most definitions are limited as for and by humans.
I thought it would be interesting to make a quick overview of what could be considered non-human art. At the very least, this might trigger the question to think even further about what art really is.
In the animal world, male bowerbirds spends the majority of his time building an performing upkeep on an intricate structure (called a bower) to attract females. The bowers consist of two stick walls shaped in an arch, and a yard filled with trinkets. The differences in individual bowers almost suggest a talent for curation!
A similar intent can be found in paintings made by Chimpanzees, Orangutans and Elephants. While the zoo’s approaches towards painting are different (some animals are left completely free to create and get choice in colors and tools, while others are more restricted).
Is it art or is it “only” creative expression? And, considering e.g. the plastics used in the bowers and the fact that the animals are contained in a zoo, can we really call this non-human?
From that angle, the ongoing interest of machines making art is an interesting one as well. Jean Tinguely’s drawing machines and more recently, investigations into AI’s and robots making art all trigger us to think about art’s position in society, as well as questions about ownership.
This is perhaps an especially relevant angle with this class’ focus on algorithms and the question on who’s to be accountable for their outcomes.
Add yours Comments – 1
This is fascinating and does indeed resonate with our discussions so far. A couple of other works come to mind. One is the work of Hubert Duprat, who provided caddisflies with unexpected materials for the creation of their cocoons (see http://www.thisiscolossal.com/2014/07/hubert-duprat-caddisflies/). The flies do the work, but there is a distinct human intervention at play (and curation of materials).
Similarly, work closer to home–see the exhibition of generative artworks from FCAT last fall that I helped to curate–maybe some of us in the seminar even contributed to these works: http://hennessy.iat.sfu.ca/mcl/projects/generations-generative-art-exhibition-2015/
There is the notion of the ‘ghost in the machine’…