Panel Discussion: Responding to Secret Citadel
Figure 1. Secret Citadel, 2013. Mixed Media Sculpture/Video installation. Surrey Art Gallery. The Surrey Art Gallery will be…
Technological Unconscious and Traces of Ourselves in Network Communication Systems
Figure 1-2. Franco Vaccari. Leave on the walls a photographic trace of your fleeting visit, 1972. Exhibition in…
Systems, structures, constraints, possibilities, adaptation, cybernetics and feedback loops
Figure 1-2. CYSP 1 (1956). Institute of Contemporary Art, Londres (1960). Figure 3. France, 1956, Nicolas…
From biomedia to cybernetics
Katherine Hayles distinguishes three phases in the history of cybernetics and highlights how each successive development…
Art, Technology and Online Identity
This New York Times article reviews an exhibition at several London galleries, all of which are exploring…
Listening to Barry Truax’s Earth and Steel
Listening to Barry Truax’s Earth and Steel Spectrogram of the piece Facts Barry Truax’s Earth and…
Living Tradition: The The Kwakwaka’wakw Potlatch on the Northwest Coast
Living Tradition Virtual Exhibit The online museum exhibit “Living Tradition: The Kwakwaka‘wakw Potlatch on the Northwest…
Response to Carsten Nikolai’s “334 m/s” and Tristan Perich’s “Octave”
Emotive Explosions & Nimble Noise I visited the OTIC exposition at the New Media Gallery in…
Response on Jesper Norda’s “The Centre of Silence”
“The Centre of Silence” photo on http://newmediagallery.ca/ One room inside the New Media Gallery located…